Four
crowds in the running to go to their toil,
To
enter the city and labor for spoil;
Four
crowds, as distinct as the classes of old,
But
whose objects are like the coming of gold.
Four
crowds in the morning, with sadness or song,
To
which crowd do you brother, or sister, belong?
There’s
the six o’clock, seven, the eight and the nine,
All
streaming to town in a serpent-like line.
The
six o’clock crowd has its lunch in a pail,
It
must be on its job and it never must fail;
It
is clad in its work clothes, its overalls blue,
And
its shirt at the neck is well open to view.
And
it smokes and converses in ways that are loud,
But
it’s healthy and cheerful, this six o’clock crowd.
It
handles the horses that clatter all day
Where
traffic is heavy and cursing
holds sway.
The
seven o’clock crowd has its lunch in a box,
And
it’s smarter a trifle in collars and frocks;
It
fills the hot factories and opens the stoves,
And
rubs the large brasses in stairways and doors.
But
the eight o’clock crowd is the greatest of all,
As
it swarms like a legion attacking a wall;
A
stream of bright maidens with beauty endowed,
O,
wondrous indeed, is the eight o’clock crowd.
Then
with dignity, weight, and finances endowed,
Comes
the captains of trade, the nine o’clock crowd.
The
bankers, the brokers, the Sampsons who keep
The
financial powers from going to sleep.
Four
crowds as distinct as the classes of gold,
But
with similar objects, the earning of gold.
Each
needing the other to make the design,
The
six and the seven, the eight and the nine.
July
22, ‘10
(Monday
25th)
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