I’m
not a Fluffy Ruffles girl,
I wouldn’t want to be one;
Because
the head of duke or earl
Or
prince goes in a perfect whirl
Whene’er he haps to see one.
Sept. 5, ‘07
She was all the rage in
1907–1908. Young women wanted to dress like her, musicians of the day composed
songs about her and there was even a Broadway musical about her adventures.
Fluffy
Ruffles was a newspaper comic strip — “the first continued cartoon story,”
according to Ernest Watson in his 1946 book, “40 Illustrators and How They
Work.” The illustrator was Wallace Morgan, who would later sketch
battlefields in World War I. He drew Fluffy Ruffles for the New York Herald. Carolyn
Wells, a poet and writer, came up with the idea for the strip and created
Fluffy’s story in light verse. The illustrations and verse took up a full page
in the Herald’s Sunday magazine section, starting roughly in April 1907.
Why did
Fluffy Ruffles capture the popular imagination at the beginning of the 20th
century? The glory days of newspaper journalism in the last century are studded
with all kinds of manufactured hoopla, from wars to Wingo.
But
Fluffy’s story captivated readers, too, especially young women entering the
workforce: Poor Fluffy discovers that her inheritance has fallen through. Each
week she tries her hand at something different: dance instructor, sales girl in
a millinery shop, child care, even teaching bridge. But all of her efforts fail
in the same way: a flock of men gather to ogle, chat and flirt, making it
impossible for her to do her job. She is either dismissed by her overwhelmed
employer, or resigns in frustration.

No comments:
Post a Comment